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So keep a copy of this guide in your pocket while traveling the streets and see if you can spot examples of the house types and styles that impart such indelible character to our city. Before long, you'll be able to spout descriptions of the streetscape just as easily as you can whistle the opening riff to "Tipitina" or explain how to make a roux. You can get there by taking the Canal Street Ferry (be sure to get the one to Algiers. There is another ferry from Canal Street that goes to Gretna.) It's free and about a 6-minute ride across the river. Spring comes early to New Orleans and by March our gardens are alive and fragrant with azaleas, camellias, sweet olive trees, jasmine, and more. Thomas Jordan, president of the Canal Barge Company, purchased and fully renovated the home in 1941 under the instruction of architect Douglas Freret. Though not in the “official” name of the house, the Jordans owned it longer than anyone, spending nearly 60 years impressing their many guests with their additions of fine antiques and scenic wallpaper.
Shuttered and sold
For the next two decades, the Louisiana Jockey Club kept the building full of elegant parties and esteemed guests, including President Ulysses S. Grant, Grand Duke Alexis of Russia, and Col. George Custer. However, once the club sold the estate in 1899, the estate began its steep decline; the outbuildings were demolished and the property was divided into smaller parcels that house the current surrounding homes. After changing hands numerous times, the house itself was sectioned into apartments and remains as such today. This once proud villa’s almost tragic beauty still makes it a worthwhile stop on your self-guided architecture tour. Part of the Lower Pontalba Building on Jackson Square, this rowhouse represents mid-nineteenth-century life in New Orleans.
Architecturally Significant Homes in New Orleans
The Italianate-style mansion was once even larger than it is now, sporting two additional buildings connected to the main three-story house by a colonnade (a covered walkway lined with columns); one building supposedly housed the kitchen while the other was rumored to have a bowling alley. The original grounds stretched from Esplanade Avenue to the Fair Grounds Racetrack, covering 30 acres with gardens, statues, a lake, a small island, and a stable with enough space for 100 horses. Architectural sketches also show that the building was designed using forced perspective – making the lower floor gradually smaller than the upper – in order to give the home an even more grandiose appearance. With its impressive granite exterior staircase, marble and mahogany-accented 18-room layout, and rooftop belvedere/observation deck, Luling Mansion is like the estate from the board game “Clue” come to life.
The Secret Garden Tour of French Quarter Homes
The Tyler families occupied the home from 1873 to 1911 before it was purchased by the McKendrick family, who lived there for another 28 years. Much like the neighboring Robb Dillon House, the Clark Cottage was purchased by Dr. James Gwatkin, a founder and faculty member of the then-Baptist Bible Institute, where it served partially as lodging for students and their families, but the home’s true purpose for the Institute was as a music hall. If you have a preconceived idea of Southern elegance and privilege, this Reconstruction-era, white-columned confection will most likely exceed that vision. Built in 1872 and designed by architect James Freret, this French Second Empire and Renaissance-style mansion belonged to Bradish Johnson, the son of wealthy sugar planters. The house is said to have cost around $100,000 ($2.2 million in 2021) to build, due to the inclusion of the most luxurious and high-tech elements available at the time, such as a smoking den, library, conservatory, and even an early version of the passenger elevator. “Grandeur” is the key descriptor of Second Empire architecture, with its signature Mansard roof, Corinthian columns, decorative brackets and cornices, entablatures, window hoods, turned balustrades, and pierced ironwork along the rooftop.
Officers Shot Louisiana
Part of what drew the couple’s interest specifically to the New Orleans Opera was Mrs. Seebold’s cousin opera singer cousin Baronne de Wartegg who made her debut at New Orleans’ Grand Opera House. Mrs. Seebold was an active member of the Women’s Guild of the New Orleans Opera from its founding until her death in 1966. Twenty-eight years later, George Hitchings Terriberry, who served as King of Carnival in 1940, purchased the house and, due to his ties to the New Orleans Symphony Orchestra, filled the halls with events and musical recitals until his death in 1948. He left the home to his niece Anne Devall Mays, who owned the home until the 1980s and was followed by a string of subsequent owners who added their own renovations. After years of admiring the home on walks from their Philip Street home with their young sons, the current owners say they couldn’t pass up the opportunity when the house went up for sale in 2013. This mid-mod landmark stands out among the classical designs of its neighboring Uptown homes but is no less truly New Orleanian than its designer Leonard Spangenberg.
“I thought the interior space should be plastic and flowing, light and cheerful in both color and texture,” Spangenberg relayed to the Times-Picayune’s Dixie magazine in 1961. He enrolled at Tulane University to study architecture and enlisted in the Army Air Corps after his first year, when he was stationed in Tucson, AZ. This move was fortuitous, however, as his flight training took him over Frank Lloyd Wright’s Taliesin West in Scottsdale, which he later drove out to explore in his free time. With renewed inspiration, Ledner returned to Tulane after his tour of duty and graduated with an architecture degree in 1948, studying briefly with Wright before founding his own firm the following year.
These celebrities all got hitched in New Orleans - gulflive.com
These celebrities all got hitched in New Orleans.
Posted: Tue, 23 Apr 2024 13:53:47 GMT [source]
Shirley Bakunas and Franklin H. Sinclair, after purchasing the home in 2000, took up another campaign of renovations the following year. When it was last on the market in 2015, all 10,516 square feet, seven bedrooms, and six-and-a-half baths were listed at $7.9 million. Until 2010, this grand home belonged to New Orleans’ resident queen of supernatural literature Anne Rice and served as the setting for her 1990 novel The Witching Hour. Visitors to the Rice home said the family both preserved the elegant character and details of the historic structure while also adding their own sense of style—including an extensive collection of antique European dolls displayed in the formal parlor.
In 1954, Dr. Claude C. Craighead and his wife Edith made the home a single-family residence once again and spent another 38 years living there. The most recent renovations and restorations were done between 2008 and 2018 by the Thompson family after they purchased the house in 2007. While the cemetery requires a tour guide to enter and Commander’s, usually, requires a reservation, be sure to take a peek at these two iconic New Orleans landmarks.
Aside from the many residential buildings in his native New Orleans, Ledner’s largest projects are a series of union offices and union halls for the National Maritime Union located in the Chelsea district of NYC. Robert Wood opened his original foundry in Philadelphia in 1839, and, by 1857, he combined his forces with Elliston Perot to form Wood & Perot Ornamental Iron Works. The company continued producing many famous ornamental cast-iron elements for fences, balconies, and even graves in New Orleans until its bankruptcy in 1878. Though corn isn’t a common crop in Louisiana, the city has three intact and well-maintained versions of this rare design in different locations around the city. The pattern features repeating cornstalks wreathed in morning glories that wrap around tree-trunk fenceposts, each with a pumpkin at its base.
Its role as a place of mercy, however, continued, with the Olivier property serving in the early 1930s as a homeless shelter run through the federal government’s Depression-era Emergency Relief Administration, a predecessor to the Works Progress Administration. An open, ballroom-sized attic served as a Crescent City crow’s nest, with its dormer windows — facing outward in each direction — offering views stretching for miles. It would also be the beacon that called two notable Catholic religious orders to the city — the Brothers of Holy Cross and the Marianite Sisters of Holy Cross — and, after its demolition, as a rallying cry for appalled preservationists that still echoes today.
This artistic movement—reflected in the literature of Edgar Allen Poe and landscape design of Andrew Jackson Downing—began in 1740s England, apropos for the original owner London-born insurance agent Charles Briggs. The original home and carriage house and its later addition in 1880 showcase the lancet windows, pointed arches, and cross gables are prime reflections of the Gothic stone behemoth cathedrals of Europe. The owners who made 1407 First St. the marvel it is today were lumberman John H. Hinton and his wife Emmet who bought the home as a winter getaway from their home in, coincidentally, McComb, Mississippi (no relation between the two McCombs). And yet, after all of these alterations, the Hintons sold the house to Emmet’s brother in 1910, and it once again fell into life as a rental property. Upon entering through the driveway, the single-story wing of the home begins with an office space and a rosewood paneled hallway containing the doors to three first-floor bedrooms and ending in a sitting room with access to the backyard and pool. On the opposite end of the house from the garage is the juncture of the single-story wing and the two-story glass wing, which is outfitted with lighting fixtures custom designed by Ledner.
Interestingly, Payne was anti-secession, but he still fought for the Confederacy in the war along with his stepson, who was wounded in the Battle of Shiloh before dying in 1862. Everything changed for Robinson two years later when, at only 31 years old, his wife Emily died. Facing financial hardship and his own illness, Robinson traded houses with his old friend and business partner David McCan, who lived only a block over on Fourth Street. Robinson passed away in his new home in 1875, and the McCan family lived in the home until Mr. and Mrs. McCan died in the 1890s. From the next decade, the property was a boarding house until insurance company owner Peter Pescud and his socialite wife Margaret Maginnis purchased the house in 1905.
These designs put a unique spin on the classical designs seen throughout NOLA’s older neighborhoods. Whether they take inspiration from landscape, culture, or lifestyle or if they simply come attached with an interesting bit of lore, these homes are one-of-a-kind pieces often tucked away in unlikely places. The festival, which spans two weekends, opened Thursday with dozens of acts playing daily on 14 stages spread throughout the historic Fair Grounds race course.
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